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Rarely in my reviewing career have I come across a product I wanted to like so much, and in the end, couldn’t actually recommend. I love the sound of the M4U 9 headphones. On that undeniably important aspect, they’re fantastic. They’ve got a well-balanced sound with a bit of extra bass, and that’s exactly the personality I like in a pair of headphones.
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There’s a pervasive mindset among certain enthusiasts that bass is bad. Bass is pedestrian. Bass is for plebes. Call me a plebe, then, because I like bass. Not all bass, mind you, but good bass.
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There are few brands that elicit a more varied response between audiophiles and average consumers than Beats. Perhaps because I’m firmly on one side of that divide, I understand why. Early Beats headphones were pretty bad, even by the standards of the day (headphones have come a long way since then). To counter that situation, Beats had a colossal marketing budget. Honestly, though, I think their mainstream appeal was a huge factor behind the explosion of headphones as an audio category.
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My first thought when I opened the Sivga Luan box was, “Wow, these are gorgeous.” It has been a while since I’ve reviewed something so visually stunning. The Turtle Beach headphones from a few weeks ago were bland at best. The Yamaha headphones were unquestionably impressive, but their black-on-black design was intentionally rather subdued.
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And now for something completely different—well, at least for SoundStage! Solo. Not completely different. Mostly different. They’re still headphones, but they’re aimed at a different market than we normally cover. However, being Bluetooth and noise canceling, they’re not that far removed from what we normally test.
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Most ultra-high-end headphones peacock some visual indications of their price. Whether it’s size, materials, or the overall design, they exude “expensive.” It’s certainly a choice, and an understandable one. The Yamaha YH-5000SE headphones are almost understated in comparison. They have a delightful, chunky, old-school look that, to the casual headphone fan, could be from 1976 or 1986 or just about any time, including now. No wood veneers, no fancy colors, just structural metal work, grilles, and a hint of yellow where the cables connect to the earcups. I like it. The design shows purpose, and if you know what you’re looking for, they telegraph their price in perhaps an even more impressive way than some other, more visually bombastic headphones.
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