Dedicated to Headphones and Earphones
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- Written by Geoffrey Morrison
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The worst thing to happen to me while traveling was getting robbed on a night train in Italy.
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- Written by Geoffrey Morrison
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Don’t be alarmed. I am not Brent. Don’t worry. He’s fine, but he has stepped down from SoundStage! Solo. You’ll still see his byline once in a while, though. He, along with founder Doug Schneider and Editor in Chief Jeff Fritz, have decided to hand the reins over to me. A decision steeped in genius. Or folly. Bit of both? We shall see.
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- Written by Brent Butterworth
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I’m sad to say this will be my last column for SoundStage! Solo. I’ve accepted a full-time staff position at the consumer-review site Wirecutter (for whom I’ve worked part-time for several years), and won’t be able to do any audio-related freelance work going forward. If everything goes as scheduled, my last review will post on January 20, and my last measurements sometime in February.
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- Written by Brent Butterworth
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Numerous as misunderstandings are in the world of audio, I’d guess that in consumer audio, there’s nothing more misunderstood than the amplifier. I think that’s because many audio aficionados base their understanding of amps less on technical knowledge than on what they’ve read in subjective reviews, where writers—almost none of whom possess substantial knowledge of amp design—are typically encouraged to sling exaggerated, exotic adjectives to make what’s often a rather generic product sound like a transformative experience.
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- Written by Brent Butterworth
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As I reported last month, the number of target curves for headphone and earphone response is growing. Honestly, I’m a bit dismissive of some of these curves. I’m fine with it if people like them, but based on my decades of communication with readers, I’m skeptical of the idea that any target response is a surefire prescription for listener satisfaction—although they certainly can serve as reference standards against which other models can be compared.
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- Written by Brent Butterworth
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I should have expected this. The original paper that eventually resulted in the Harman curve was published ten years ago. Like practically every paper on audio that takes a strong stand, it was met with a mixture of praise, scorn, and indifference. Now others are responding by suggesting their own alternatives to the Harman curve—and headphone enthusiasts are left scratching their heads, wondering which, if any, of these will agree fully with their own ears.
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