I guess I should be thankful. In-flight entertainment has improved greatly over the last few years. That’s not to say it’s great, but it’s a lot better than before. Most flights will have enough of a variety of movies and shows to placate the mind for a few hours. It wasn’t that long ago that you’d be lucky to have a choice between three stale and forgettable movies, shown back to back.
Read more: The Endless Hassle of Connecting to In-Flight Entertainment
Let’s start with the obvious: if you fly a lot, you should get some noise-canceling headphones. I’ll include trains and buses, too, since they can also be loud. NC headphones, the good ones anyway, can reduce that incessant droning that makes travel so tiresome. I never travel without them, but the style I travel with might surprise you. Personally, I prefer in-ear NC earphones. I’ve met countless frequent travelers who think I’m crazy. They also think this earphone preference is wild, as they’d never leave the house without some big, comfy over-ear headphones.
The worst thing to happen to me while traveling was getting robbed on a night train in Italy.
Don’t be alarmed. I am not Brent. Don’t worry. He’s fine, but he has stepped down from SoundStage! Solo. You’ll still see his byline once in a while, though. He, along with founder Doug Schneider and Editor in Chief Jeff Fritz, have decided to hand the reins over to me. A decision steeped in genius. Or folly. Bit of both? We shall see.
I’m sad to say this will be my last column for SoundStage! Solo. I’ve accepted a full-time staff position at the consumer-review site Wirecutter (for whom I’ve worked part-time for several years), and won’t be able to do any audio-related freelance work going forward. If everything goes as scheduled, my last review will post on January 20, and my last measurements sometime in February.
Numerous as misunderstandings are in the world of audio, I’d guess that in consumer audio, there’s nothing more misunderstood than the amplifier. I think that’s because many audio aficionados base their understanding of amps less on technical knowledge than on what they’ve read in subjective reviews, where writers—almost none of whom possess substantial knowledge of amp design—are typically encouraged to sling exaggerated, exotic adjectives to make what’s often a rather generic product sound like a transformative experience.
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